Delphine Aprisionada

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Delphine Aprisionada

I can’t help but having the feeling that Delphine Seyrig was constantly trapped in her films. Trapped in time, space, memory, routine, to a certain place and many others types of prisons. This experimental/ film essay tries to prove this while at the same time, trapping her once again, perhaps forever, in this film, which can also work as a loop.

Film entirely made by Ricardo Pinto de Magalhães

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